AUDIO MIXING CONSOLES:
- 72ch “Allen & Heath” DLive S7000 Digital Mixing Console
- 64ch “YAMAHA” PM-5D RH Digital Mixing Console
- 52ch “YAMAHA” M7 CL Digital Mixing Console
- 32ch “YAMAHA” TF-5 Digital Mixing Console
- 16ch “YAMAHA” LS-9 Digital Mixing Console
- 48 ch – 8 Buss MACKIE Mixing Console
- 24 ch.- 4 Buss MACKIE Stereo Mixing Consoles with 6 AUX send
- 24 ch.- 4 Buss YAMAHA Stereo Mixing Consoles with 5 AUX send
- 16 ch.- 4 Buss MACKIE Stereo Mixing Consoles with 4-6 AUX send
- 16 ch.- Soundcrafts FX-16 Stereo Mixing Consoles with Lexicon EFX
- 12 ch.- YAMAHA Stereo Mixing Consoles – Powered
SPEAKERS:
- ADAMSON Line Arrays
- Y-10k Tops – 3-way, 1700w
- T-21 SUBS – dual 21″, 6000w
- SpekTrix SUBS – dual 18″, 2400w rms
- RCF Line Arrays (self-powered)
- HDL-20 Tops – 700w rms
- 8006 AS SUBS – 2500w rms
- HDL 18 AS “flyable” SUBS – 1000w rms
- 4PRO-6001A – 950w rms
- EAW
- KF650e – 1600w rms
- SB1000 SUBS – 200w rms
- FR-235, Full-Range
- MEYER SOUND (self-powered)
- MSL4 – 2-way Tops – 1250w rms
- DS4P MIDs – 1250w rms
- MTS4 Full-Range – 2500w rms
- 650P SUBS – 1250w rms
- BOSE
- 802 Series-II
- 302 Series-II Acoustimass SUBs
STAGE MONITORS:
- ADAMSON
- M-212
- RCF (self-powered)
- NX 15-SMA
- EAW
- LA-215
INSTRUMENT AMPLIFIERS:
- MARSHALL JCM-900 Twin Reverb Amp. (Valve) with 4×10″ Cabinet
- Gallien-Krueger RB-700 – Bass Guitar Amp. 4×10″ Cabinet
- PEAVEY – 5150 Combo Amp.(Valve)
- PEAVEY – Stereo Chorus Amp.
- PEAVEY – Renown 400 Amp.
- PEAVEY – Mark-IV Bass Guitar Amp. with 1 No. 1×18″ Cabinet
- PEAVEY – KB-100 Keyboard Amp.
- ROLAND – JC-120 Jazz Chorus
- ROLAND – KC-550 Keyboard Amp.
- FENDER – De’ Ville Guitar Amp. (Valve)
EFFECTS PROCESSORS:
- YAMAHA Reverb Processor
- XTA DSP-248 Processor
- XTA DSP-226 Processor
- BEHRINGER Quad Compressor-Limitors
- dbx 160 & 166 Stereo Compressor Limitors
- BEHRINGER Quad Auto-Gate with key filters
- XTA Stereo Graphic EQ
- YAMAHA Stereo Graphic EQ – MEQ-2031 – 31 Band 1/3 Oct.
AMPLIFIERS:
- Lab Gruppen FP-7000
- Lab Gruppen FP-10000Q
- RCF QPS-9000
- Crest 7001 / 9001 & HD-18
- QSC PL 4.0 ; MX-2000a & MX-700
MICROPHONES:
CORDED:
- DPA d:vote CORE 4099 Rock Touring Kit
- Shure SM-58
- BETA-58 / 57
- BETA-82
- BETA-52
- BETA-98 with Drum Mount.
- Shure SM-57
- Sennheiser Drum Set Mic Kit (7 mic set)
- Sennheiser BF-845
- Sennheiser BF-835
- Sennheiser Cond.
- AKG C-451 Cond.
- AKG C-454 Cond.
- AKG C-519 Clip-On Mic
- Crown “PCC” Boundary Mic
- DPA d:sign 4098 Podium Mic
- Shure MX-18 Podium Mic
- Sennheiser MEG 14-40 Podium Mic
CORDLESS:
- Sennheiser EW-500-945 Hand – UHF
- Sennheiser EW-500-G3 with MKE2 Lapel – UHF
- Shure Digital ULX-D with 4x SM-58 (QUAD Receiver) – UHF
- Shure U-4D with SM-58 (Dual Receiver) – UHF
- Shure U-4D with Beta 58 & 87 (Dual Receiver) – UHF
- AKG – DMS-700 Digital UHF Wireless Mic System
- Shure UT with SM-58 – UHF
- Shure UT with Lapel Mic – UHF
- UHF sets with Lapels
- Shure/Sennheiser “Head” Mic
IN-EAR MONITORS:
- Sennheiser EW-2000 IEM – UHF
- Sennheiser EW-300 IEM – UHF
- SHURE PSM-600 – UHF
- SHURE PSM-600 Corded
SNAKE CABLES & MISC.:
- AVIOM “Digital Snake” 48 IN & 16 OUT with Split-OUT on CAT-5 cable
- 8 Ch. XTA Active Mic/Line Splitters
- Fiber-Optic Audio Interface : 8 IN – 4 OUT
- Fiber-Optic Audio Interface : Stereo
- 6-core SM Fiber-Optic Cable – 250m
- 6-core SM Fiber-Optic Cable – 500m
- 24 Chnl. – 75 – 100m Drum
- 24 Chnl. – 50m
- 8 /12 Ch. Sub Snakes
Please Note: In addition to above equipment list, we can still arrange for more options & quantities of equipment, either from our own resources or through our associates, only if there is specific requirement and ample time is made available to arrange the same.